Sem Lala Titled Works

Lala’s practice begins with found materials, engaging in a series of gestures that disrupt and destabilize meaning at both formal and conceptual levels—often through repetition. He frequently employs replicable and automated mediums such as printmaking, screen printing, and recorded sound, using processes of reproduction, cutting, looping, and editioning to reconstruct the ideological structures that shape an artwork. Form acts as both a constraint and a point of resistance, as he navigates self-imposed limits on authorship and subjectivity.