Warsaw 2025

Public Transport Project is a collective initiative by Gloria Viktoria Regotz, Deividas Vytautas Aukščiūnas, and Philip Ortelli. Their ongoing work examines how public life is formed through systems of coordination, between people, infrastructures, and the objects that enable or organize movement. Cities appear not as fixed entities but as ongoing negotiations between human and non-human agents.

The exhibition titled Warsaw 2025 dissociates the city as a geographical place and thinks of it as a format: a coded system of routines, expectations, and alignments (relations). The title follows the collective’s internal taxonomy for their works. A methodical system for labeling, sorting, formatting, standardizing, and categorizing that not only names the works, but also dictates how they materialize.

Public Transport Project's practice is concerned with nameless figures caught between order and deviation—bodies navigating pre-determined routes, anxious to belong, yet drawn to resist. 𝘞𝘢𝘳𝘴𝘢𝘸 2025 translates a bureaucratic system for performance, sculpture, moving image, body, scent and sound — opening on November 22, 2025— where all unfolds under and beyond control. 

The show will be accompanied by a text by Tosia Leniarska, an independent writer, curator and researcher based in London.